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Documentation

Step-by-step guides from a blank hoop to a finished file, tutorials for one thing at a time, and the reference when you need the detail.

Everything in the docs

Getting startedYour first designFrom a blank hoop to a file for your machine: shapes and threads, stitch types, the stitch preview and the export.Beginner5 articles · about 20 minGetting startedLettering that sews wellSet a name, curve it, see why it sews smoothly as satin, and finish with a monogram.Beginner4 articles · about 12 minGetting startedFrom logo to patchTurn a picture into something that sews: trace it, clean up overlaps, fill it well, match the threads and export.Intermediate6 articles · about 24 minGetting startedStitch settings in depthWhat each stitch setting does to the stitches: underlay and pull, fills, satin, lines, and what happens between objects.Intermediate9 articles · about 65 minReferenceFrequently asked questionsAnswers about NextStitch: machines and file formats, designing and lettering, the design licence, plans and your data.Beginner7 minGuideGetting startedNextStitch runs in your browser: you design and preview on your own device, then export a file for your machine.Beginner3 minIn “Your first design”ReferenceComing from other embroidery softwareThe words other embroidery programs use, what NextStitch calls the same thing, and the article that explains it — a glossary for switching over.Beginner6 minReferenceKeyboard shortcutsEvery key the editor answers to — tools, editing, nodes, zoom and the stitch preview — and what the mouse does with Shift, Alt and Ctrl held.Beginner4 minGuideProjects and filesMy Files keeps your designs in folders: find them, tick several at once, write them out for your machine, print a contact sheet, get earlier versions back.Beginner6 minGuideDrawing and editingAdd shapes or text from the tool dock, then move, resize and rotate them — or type exact sizes in millimetres or inches.Beginner4 minGuideDraw lines and curvesDraw lines and curves with the Pen, by hand with the Pencil, go on from a line's end, and draw a satin column by its two sides.Beginner6 minTutorialDraw and colour shapesDraw shapes from the tool dock — rounded rectangles, symbols, arcs and frames among them — give each a thread, frame a selection and draw rosettes.Beginner6 minIn “Your first design”TutorialMatch your threadsChoose the thread line you sew with and snap every colour in your design to its nearest real thread in one click.Beginner2 minIn “From logo to patch”TutorialSort by colourNextStitch sews each colour in one go wherever shapes don't overlap. When you set the order yourself, one command sorts it by colour.Beginner2 minIn “From logo to patch”ReferenceStitch typesFill covers an area, satin gives a smooth raised edge, running draws a single light line — and textured fills give an area its own look.Beginner3 minIn “Your first design”ReferenceRunning, bean and manual stitchesWhat each setting of a line does to its stitches: length and tolerance, the bean's repeats, repeating the whole line, manual stitches, sequins and redwork.Intermediate6 minIn “Stitch settings in depth”GuideFabric and stabiliserTell NextStitch what you sew on: the fabric, its stretch and thickness, the stabiliser, and how Apply fabric settings adapts underlay and pull.Intermediate7 minIn “Stitch settings in depth”GuideFill and underlayHow a fill is sewn row by row, what the underlay beneath it does, and the settings that make a fill lie flat and close up on your fabric.Intermediate5 minIn “From logo to patch”GuideFree-standing laceLace sewn on a wash-away stabiliser alone: choose the fabric, and NextStitch suggests the stabiliser and names every part that would fall out.Intermediate3 minReferenceUnderlay and pull compensationWhat the underlay under a fill or a satin is made of, what Automatic chooses, and how pull compensation makes a shape sew to the size you drew.Intermediate9 minIn “Stitch settings in depth”ReferenceFill settingsWhat each Auto-fill setting does to the stitches, drawn from the stitch engine's own needle points: rows, angle, length, offset, travel and overlap.Intermediate8 minIn “Stitch settings in depth”ReferenceContour and spiral fillsHow a contour fill's rings and spirals follow a shape's outline, what each of its settings does to the stitches, and how a circular fill turns round a centre.Intermediate6 minIn “Stitch settings in depth”ReferenceGuided, meander and ripple fillsHow a guided fill's rows follow a line you draw, how a meander wanders across an area and how a ripple echoes its outline, setting by setting.Intermediate7 minIn “Stitch settings in depth”ReferenceCross stitchCell size and fabric count, threads, cross types and partial stitches, one grid for the design, crosses on a line, lettering and resizing in cross stitch.Intermediate7 minReferenceSatin column settingsWhat each satin column setting does to the stitches, drawn from the stitch engine's needle points: spacing, short stitches, splits, method and corners.Intermediate8 minIn “Stitch settings in depth”ReferenceSatin (area) settingsHow Satin (area) lays satin columns along a shape's strokes, when it fills or runs one instead, its underlay, and where it starts and ends.Intermediate7 minIn “Stitch settings in depth”GuideLettering and Satin (area)Embroidery fonts sew as they were digitised; outline fonts are sewn in Satin (area) along each letter’s strokes.Beginner3 minTutorialSet your first textOpen the lettering dialog, type a name, pick a font and add it to your design — it is ready to sew straight away.Beginner3 minIn “Lettering that sews well”TutorialBend text into an arcCurve a name over a design: choose Arc under Shape and set how far it bends — or turn it the other way.Beginner2 minIn “Lettering that sews well”GuideSatin (area) for lettering and logosHow Satin (area) lays satin columns along a shape's strokes, why lettering looks smooth with it, and when it fills instead.Intermediate3 minIn “Lettering that sews well”GuideYour own embroidery fontsAdd a font bought as a zip of letter files: it stays in this browser, and our server keeps nothing.Intermediate3 minVideoInsert a monogramOne to three initials side by side, as the classic trio, filling a circle or a diamond, or set into each other — with fonts, frames and a towel under-layer.Beginner4 minIn “Lettering that sews well”TutorialNames listOne design for a whole team: paste or import the names, check each on the canvas, then export a file per name or one file with stops.Intermediate4 minGuideAppliquéSew a placement line, lay the fabric, tack it down, trim and cover the edge: one piece, pre-cut fusible pieces or a whole name.Intermediate7 minGuideBring in artwork from Illustrator, CorelDRAW or InkscapeSave your artwork as SVG or SVGZ with its text as paths, or paste it straight in: what NextStitch reads, and the way round what it cannot.Beginner4 minVideoTrace a pictureTurn a PNG, JPG or TIFF logo into shapes you can stitch — filled, in satin or in cross stitch: the tracer runs on your device and you choose the colours.Intermediate7 minIn “From logo to patch”GuideRemove overlapsShapes stacked on top of each other are sewn twice. Remove overlaps and Make stitch-ready cut away the hidden parts, so every spot is sewn once.Intermediate5 minIn “From logo to patch”ReferenceMachine filesOpen PES, DST, JEF and more, or a shop’s zip, sewn as digitised; keep them in My Files and convert them for your machine on your phone.Beginner5 minGuideArrange, cut out and combineThe commands that merge, cut out, split, combine, copy, line up and bend shapes, side by side: what each does to your shapes and where to find it.Intermediate7 minGuideArranging and stitch orderAlign and distribute, the order NextStitch sews in, where each object starts and ends, and how jumps, trims and ties are sewn.Intermediate3 minReferenceTravel, trims and tiesWhat happens between and after objects: when the thread is sewn over, left as a jump or cut, how it is tied, and the order the colours are sewn in.Intermediate7 minIn “Stitch settings in depth”TutorialScrub through the stitchesWatch your design sew before it reaches the machine: scrub and step through it, pause at each colour, spot jumps, ties and long stitches, set the thread’s look.Beginner5 minIn “Your first design”GuideNew designs, Preferences and presetsStart every design in your thread line, grid and gaps, make new shapes come out the way you sew, and keep your favourite settings as presets.Intermediate7 minReferenceSewing time and bobbinEstimates at your machine’s speed, with trims, colour changes and stops, the bobbin thread, a selection’s figures and the colour sequence.Beginner2 minGuidePrint a worksheetPrint the worksheet on A4 or Letter, at actual size as a placement template, with registration marks and appliqué templates.Beginner3 minGuideDesigns larger than your hoopWhen a design won't fit your hoop: make it fit, take a larger hoop, or sew it in parts, lined up with registration marks and a printed template.Intermediate5 minGuidePersonalizing templatesEnter a name or date on a template, change its colours and size, then download it for your machine or keep it in My designs.Beginner2 minTutorialExport your first fileTurn your design into a file your embroidery machine reads: open Export, pick the format and download it.Beginner3 minIn “Your first design”

What's new

  1. Cross stitch counted as a cross-stitcher counts it — a fabric count, two, four or six threads, the half cross, crosses along a line and lettering in crosses, a grid on screen that the canvas grid can match, a picture turned into one cross per pixel, and a pattern that keeps its cells when you move or resize it (cross stitch). Appliqué gets more tack-down and cover stitches, pieces without their holes, each piece's own fabric shown in its colour on screen, on the templates and in the cut file, a name's letters sewn together, and cut files of any selection. The stitch preview pauses at colour changes, stops or trims, replays an object, goes to the stitch or colour you type, shows ties, jumps and stitch lengths, and sets thread width, contrast and brightness; Design info gives the figures of a selection, and free-standing lace is checked for parts that would fall apart. Machine files can be uploaded to My Files, each with its picture, size, colours and sewing time, found by filters and listed as a table under Details; tick several to move, download or write out together, print a contact sheet, browse a folder on your computer, or convert a file on your phone (projects and files). The Shapes tool has a rounded rectangle, more shapes and frames; Object ▸ Add frame… lays a frame round the selection, Object ▸ Envelope… bends shapes, and Insert ▸ Rosette… draws one. Object ▸ Convert turns text into shapes, shapes into stitches and stitches back into shapes, and a machine file can be touched up stitch by stitch: take it apart, move, delete, split and connect its stitches.

  2. The fabric can change the stitches — with Apply fabric settings in File ▸ Properties…, Automatic chooses the underlay and pull compensation for jersey, towelling, caps or leather (fabric and stabiliser) — and new designs start with your thread line, grid and gaps, new shapes with the settings you make current, and Settings ▸ Preferences… and stitch Presets keep the rest. Lettering gets a font browser with each font's smallest size, fitting a text to a width or to its path, word spacing, a slant, letters that stay where you moved them, and a names list sewn as one file with stops. Tracing advises on the picture, crops and tones it, reads TIFFs and gives each colour its own stitch type; artwork can be pasted, and SVGZ files open. The Pen draws curves through the points you click, the Pencil draws by hand, lines continue from their ends, satin columns are drawn by their two sides, and fill angles and turning lines are set by dragging. Machine files open with their own name and hoop, from zips and by dropping them anywhere; Brother owners see how their model takes a file; a new fill ends at its last row; and the new Help menu leads to the keyboard shortcuts and to coming from other software.

  3. Eight references that explain the stitch settings in depth — fills, satin, Satin (area), underlay and pull compensation, contour and spiral fills, guided fill, meander and ripple, running and bean stitch and travel, trims and ties — with figures drawn from the real stitches, and this list of what is new on the docs hub.

  4. Precise placing and new stitch options. Positions and sizes count from a point of the selection you choose, in millimetres or inches; guides come out of the rulers, points snap to the grid, the guides and the hoop's centre once snapping is on in View, and Measure can scale, turn and mirror to what it measured. Satin spacing can follow the column's width, with its own corners and pull per side, and a text too small for satin can be sewn as a triple run. Select same, Alt-click to select what lies behind, Alt-drag to copy, aligning to a key object, Lock and Object ▸ Density… help with arranging; the Path menu gains node types, Offset…, Simplify… and holes. Trim after, Repeat the whole line, hiding connectors under the next object, a preferred colour order and Redwork decide where the needle goes.

  5. Fills close up: pull compensation and overlap are two settings, and new imports overlap their neighbours a little. Remove overlaps, Divide and Add outline arrange shapes; Save selection as design…, Insert ▸ My design or project file… and Paste in place reuse them, and each browser tab keeps a draft of its own. Tracing says how many colours it found and can make cross stitch. Print / PDF… prints on A4 or Letter, at actual size and with appliqué templates, appliqués export as cut files, and projects in your account keep their earlier versions. Also new: Show only selection, the tie size, the stitch-over gap, and thread lines read from their makers' own charts.

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